The recent acquisition of *Modern Whore* by Protagonist Picks signifies more than just strategic festival programming; it represents a conscious move to confront uncomfortable truths about society’s morality and the stories we ignore or distort. This documentary, adapted from Andrea Werhun’s candid memoir, dares to dive deep into the nuanced realities of sex work—an industry
Entertainment
Adam McKay, once celebrated as a visionary director pushing boundaries with films like *The Big Short* and *Don’t Look Up*, now stands at a crossroads of commercialism and activism. Though he projects an image of a socially conscious filmmaker, his recent moves, especially signing with CAA, reveal a disturbingly strategic endeavor to consolidate power within
In the sprawling tapestry of North American history, cities like Atlanta, Montgomery, New York, and Oakland frequently dominate the narrative of Black liberation and civil rights struggles. Their iconic statuses are well-earned, emblematic of pivotal moments of resistance and profound societal shifts. Yet, this focus often shadows the deeply significant but underrecognized contributions of other
In the latest effort by TBA Studios, the biopic *Quezon* sets its sights on a turbulent chapter in Philippine history that many might prefer to gloss over or romanticize. While the trailer promises a compelling depiction of Manuel L. Quezon as a pivotal figure, one cannot help but scrutinize the narrative choices and the broader
In recent years, the entertainment industry has become hyper-focused on the perpetual game of catch-up with streaming platforms. Major corporations like Disney are constantly announcing high-profile hires, such as Tony Zameczkowski from Netflix, in a frantic effort to remain relevant in the ever-changing digital landscape. While these strategic moves are touted as bold steps toward
Quentin Tarantino, the filmmaker renowned for revitalizing American cinema with his bold storytelling and distinctive style, recently made waves by nixing what was supposed to be his swan song—*The Movie Critic*. As much as this decision initially appeared as a typical case of artistic perfectionism or grandiose retirement plans, it beckons a deeper reflection about
The recent acquisition of a minority stake in Brock Media by Studiocanal reveals a larger, more unsettling trend within the film and television industry: consolidation under major European media conglomerates. While the partnership ostensibly promises to support emerging talent, it also raises significant concerns about creative independence and the diversification of stories that truly reflect
In an era dominated by streaming giants and fleeting viral sensations, WWE’s recent success signals more than just a fleeting spike in viewership; it reveals a strategic pivot that underscores the organization’s resilience and adaptability. While many skeptics dismiss wrestling as mere spectacle, WWE’s ability to penetrate platforms like Netflix and capture substantial audiences indicates
After an eight-year hiatus, Lee Chang-dong, a master storyteller renowned for his profound explorations of Korean society, is finally returning to the director’s chair. His new project, *Possible Love*, promises to challenge audiences once again with its complex characters and layered narrative. While fans eagerly await the film, critics must also consider whether Lee’s absence
The early 2000s Fantastic Four movies, while arguably a commercial success by many standards, exemplify the volatility of franchise filmmaking and the illusion of guaranteed continuity. Ioan Gruffudd’s reflections on the shelved plans for a third film reveal a bitter truth: that even promising projects with solid box office returns can be discarded with little